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DenorecorDS and Senar Saliov – the Profi Music Studio Part1

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Harry Partch demonstrates his instruments.

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  1. SexYLicouz1 says:

    WOW ANY SEAN COME OVER IST SOO GEEIL WANN KOMMT DIE GANZE VERSION????????

  2. 1thekikiboy says:

    ROMA POWER

  3. ricoradio1 says:

    Nice equipment guys! Thumps up and keep going——-see u on the top of the world hahaha

  4. ersonic1 says:

    @MullahNasrud1n Dann ab ich dich falsch verstanden oder du hast dich falsch formuliert

  5. MullahNasrud1n says:

    @ersonic1
    Das ist mir schon bewusst, ich bezog auch nicht auf die Gesangskünste der Künstler sondern auf die Art wie in das Studio investiert wurde. Da wird mit seitenweise CDs für irgendwelche VST Plugins geprollt, aber für ne vernünftige Dämmung in der Gesangskabine wird nur die Portokasse verfügbar gemacht? Hör doch mal genau hin! Wie willstn so ne Nahbrechung später beim Mischen wieder rausmachen? oder steht der Kameramann gerade zufällig an einem kritischen Punkt in der Kabine?

  6. ersonic1 says:

    @MullahNasrud1n Das ist ja auch alles Live. Mit der Cam in der Kabine aufgenommen. Das ist nicht Playback oder so

  7. MullahNasrud1n says:

    für den ganzen kram klingen die vocals von 3.25 bis 4.02 aber richtig scheisse. man hört förmlich die schallreflektion des raumes…

  8. Stylizzimo08 says:

    lol was das denn dieser typ any sean hat NULL eigenen style versucht voll Jay Sean Style zu machen hahaha die haare das singen das rappen und das scratchen vorm hahah omg übelste nachmacher aber deno hat schon paar fette beats

  9. ludilos1992 says:

    hey bruder du hast nie langweile hihi

    weiter so bruder

  10. DjeLy123 says:

    DENO du hast einfach diie prefeckten leute dafür erlich RESPECK ERLICH mach weiter so hehe

  11. TheMemeti97 says:

    mach weiter so RESpect

  12. romaniprofimusika says:

    geiler raum

  13. AHMET1138 says:

    Buha Würde Gerne Da ein Song machen ..
    u. dann im tanz saall tanzen !
    6treme aufgelöst ?

  14. PlAya774 says:

    hey echt hammer
    aber ich will gerrn wissen ob es dieses lied am ende gibt???
    weil das isr der hammer das lied
    bitte melden wer das hat

  15. cocaorbit1993 says:

    butt sukar !!

  16. Serbmania says:

    alle achtung …hammer einfach

  17. stefan12332 says:

    der Beat übertrieben hamma :)
    die jungs am Ende auch heftig
    R E S P E K T !
    was die da am Ende singen gibts davon ein Lied ??

  18. HaMDaKillah says:

    ey yo waz geht ich würd gern den trakk any sean – come over runtaladen aba find ihn nich =/ kann mir ma jemand helfen dabei wär echt geil

  19. gippsytippsy says:

    Nicht Ganz emran110 das Keyboard Heist Microkorg und unter 350€ kriegs du das ding nirgends auser vllt ebay….haha

  20. benisolder says:

    yoooo nice studio keep going

  21. SGMSS says:

    Die Beats haben fast alle nen orientalische Touch. Aber gerade das ist das geile an den Beats ich mag diesen orientalischen sound.

  22. loopmer says:

    Jo DENO ! der beat ganz am anfang des videos klingt fett also der orientalische ! könntest du mir den schicken oder ein link zum download posten ? danke :)

  23. rangeltvchannel says:

    yALL cRAzy!!!!

  24. Akash0092 says:

    Eyyy Any Sean Hammer Track
    Und Junge haMmer Auftritt in Köln 1.1.
    hast sogar JAy Sean Frish gemacht..Respekt Man..
    Heyy Wo kann man dein tracks downloaden udn das Come Over ???
    Echt Bro bist echt FEEEETTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTTT

  25. BeAuTyDaNcE says:

    wow <333

  26. kingquinnerz89 says:

    @TouchingYou You’re an ass.

  27. Accisma says:

    @TouchingYou Partch’s scale(s) weren’t equally tempered though. Much harder. Read his book “Genesis of a Music” for a detailed explanation of how he worked out the intervals and fitted the whole thing together. Pretty complicated mathematics behind it.

  28. TouchingYou says:

    @phatmusic … YOU can create a 95-tone scale tomorrow. ANYONE can. Just get even more microtonal. I love microtonal music. I just don’t pretend it’s hard to do.

  29. Accisma says:

    @TouchingYou hey your comment got marked as spam, you work it out

  30. TouchingYou says:

    @Accisma You can’t call someone an “ass” without explaining HOW or WHY they are one. (Unless you’re 9 years old and don’t understand maturity. WHY am I an ass?)

  31. TouchingYou says:

    @DarkShroom ..I agree Dylan is a legend. Just like the virgin birth, Sarah Palin, and Reagan: A FICTION.

  32. TouchingYou says:

    @kingquinnerz89 There’s no substance to your rebuttal. If i’m wrong about something, you need to explain WHY I’m wrong.

  33. 3minutefilms says:

    @DarkShroom Dylan is a legend? yeah but he was also a extractive exploiter of others style and music, they made it he made the money. Hell i Listen, but I don’t fool myself to think that it is

  34. Accisma says:

    @TouchingYou you’re an ass, but search for “microtonal” on YT and other places to find more music that messes with tonality. A few electronic musicians are doing things Partch could only have dreamt of (although he would probably not have approved, I think computers would have been too impersonal for him)

  35. Darkovith says:

    wonderful

  36. kingquinnerz89 says:

    My God TouchingYou! You’re so pretentious it’s not even offense it’s hilarious!:)

  37. DarkShroom says:

    @TouchingYou wow that dax thingy does sounds interesting, still it uses a contact microphone so in a way it’s part of the big expansion of sound that happened around the turn of last century, amplification and is therefore electronic.

    Thanks for the info anyway i love weird instruments and had never heard of that thing before.

    PS: Dylan is a legened

  38. TouchingYou says:

    I don’t think that’s correct.

    EX: the Daxaphone COULD’VE been invented in the 1700s, but wasn’t invented until the last 30 years.

    And it sounds as crazy as anything electronic you can think of!

    I think Partch was more creative than a Bob Dylan, but less creative than a Hans Reichel.

    That’s all.

  39. DarkShroom says:

    @TouchingYou real instruments have been with us for too long to really find anything that unique, computers are probabally our best bet for somthing crazy now, being spoiled by modern technology has probabally desensitized us to how different these instruments would have sounded when partch was playing with them

  40. phatmusic says:

    umm he created a 43 tone scale….try doing that!

  41. sqrrl777 says:

    YES

  42. pepsimax29 says:

    Hahahaha! Just dribbled everywhere when I read that! :o )

  43. bignorwich says:

    Put a donk on it?

  44. justinmeditation says:

    “…with film it is possible for the eye to explain to the ear and for the ear to fulfill the vision.”

  45. TouchingYou says:

    Personally, I’m consistently disappointed by Partch.

    EX: odd percussion is the laziest and easiest “new instruments” to make.

    EX: his compositions are not that radical. (Some sound like ordinary african tribal / drum stuff, for instance.)

    I want to hear music that sounds like NOTHING ELSE on earth.

    Any recommendations?

    8:50 above is GREAT!

  46. HailChaos says:

    well said, mate!

  47. catgumart says:

    In addition to admiring Partch, I like the tone & style of this old documentary I love how it begins showing those 50’s people playing stick ball & then it shows Harry Partch with his pipe looking out @ the neighborhood while the creative,rhythmic music plays! Partchs music makes my mouth water & somehow brings more value & feeling to sounds,after listening to him if I play guitar I can feel the music more powerfully, It makes me respect the simple thud of my hand on the wood of the guitar

  48. ZOOOOOOOOOA9 says:

    Thanks for posting.
    In 93′ ? – i went to a concert of his music with the amazing instruments at Alice Tully Hall in Lincoln Center. Became a convert then.

  49. kheitny says:

    thanks for posting this!
    i have been a partch fan for a long time.
    i have an original Partch pressed lp.
    (the music of harry partch the exact lp shown at 2:00)
    it is one of my prized possessions.
    (green and white marbled mono vinyl)
    ’same content as the CRI reissue

  50. splifford says:

    test

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